Displaying 11 - 20 of 45.
Najīb Mahfūz’s novels are full of religious symbols. Many religious notions have become moral ones through time, language and social traditions.
‘Abd al-‘Azīz Khidr writes about depicting and criticizing religious characters in films and TV series.
The author of the article, Mustafá Bayyūmī, provides a literary analysis of some of Najīb Mahfūz’s works, highlighting the great writer’s allusions to the companions of the Prophet Muhammad in most of his writings.
Mustafa Bayyūmī analyses the images of God’s prophets used in the novels of Najīb Mahfūz.
A critique of the strict censoring of religious films maintained by the Azhar. The authors warn of similar rigidity by the church.
The planned screening of The Da Vinci Code in Egypt has been met with strong opposition from church leaders. Arguing that “forbidden fruit is sweet,” Hānī Labīb believes that the ban on the movie will encourage more people to see the movie.
A Somali-born member of the Dutch parliament, Ayaan Hirsi Ali, quits over her inaccurate asylum application.
The author expresses his rejection of Christian and Muslim institutions’ involvement in judging works of art, arguing that banning artistic works should not be allowed.
The Egyptian film ‘Wija’ has produced controversy between artists and Muslim scholars over the definition of creativity.
‘Abd al-Jawwād Abu Kabb has finished a scenario of a comic political film about the parliamentary performance of the Muslim Brotherhood.

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